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Appendix C: Sample Semester Calendars

The number of readings in each unit and the total number of readings in all six units of this text are designed to fit into two 16-week semesters, using five weeks per unit. The calendars below show one way to pace the readings as you build toward a culminating assignment for each unit.

Comp 1: Sample Calendar

This calendar assumes that the first assignment will be some type of personal exploration about their own writing, the second will be a rhetorical analysis of someone else’s writing, and the third will be a classic academic argument essay.

Week 1 first day of class “We Write Because We Care”
Week 2 “The Inspired Writer vs. the Real Writer” “Storytelling, Narration and the ‘Who I Am’ Story”
Week 3 “I Need You to Say ‘I'” “Workin’ Languages”
Week 4 “Changing Your Mindset About Revision” “What Are We Being Graded On?”
Week 5 personal paper draft due + peer reviews personal final paper due
Week 6 “What Is Rhetoric?” “Backpacks vs. Briefcases”
Week 7 “Writing with Force and Flair” “Exigency”
Week 8 “Elaborate Rhetorics” “Understanding Visual Rhetoric”
Week 9 “Finding Your Way In” analysis outline due
Week 10 analysis paper draft due + peer reviews analysis final paper due
Week 11 “Everything’s Biased” “Understanding Discourse Communities”
Week 12 “What Can I Add to Discourse Communities?” “Writing Counterstories”
Week 13 “Looking for Trouble” “On the Other Hand”
Week 14 “Walk, Talk, Cook, Eat” argument outline due
Week 15 argument draft + peer reviews argument final paper due
Week 16 final exam week

Comp 2: Sample Calendar

This calendar assumes that the first assignment will give them some kind of practice diving deeper into the writing process, the second will give them practice navigating different genres, and the third will incorporate multimodal aspects.

Week 1 first day of class “How to Read Like a Writer”
Week 2 “Complexity of Simplicity” “Introduction to Primary Research”
Week 3 “Annoying Ways People Use Sources” “Chatting Over Coffee”
Week 4 “How to Write Meaningful Peer Response Praise” “Reflective Writing and the Revision Process”
Week 5 draft due + peer reviews final paper due
Week 6 “Navigating Genres” “Make Your ‘Move'”
Week 7 “Murder! (Rhetorically Speaking)” “Weaving Personal Experience into Academic Writings”
Week 8 “Why Blog?” “Punctuation’s Rhetorical Effects”
Week 9 “I Passed First-Year Writing—What Now?” genre outline or proposal due
Week 10 genre draft due + peer reviews genre final paper due
Week 11 “An Introduction to and Strategies for Multimodal Composing” “Beyond Black on White”
Week 12 “Worth a Thousand Words” “Thinking Across Modes and Media (and Baking Cake)”
Week 13 “Strategies for Analyzing and Composing Data Stories” “The Rhetorical Possibilities of Accessibility”
Week 14 “Not So Fast” multimodal project outline/proposal
Week 15 multimodal draft + peer reviews multimodal final project due
Week 16 final exam week

The samples above are the simplest way to organize the semester using the readings, but of course it’s also possible to mix things up.

For example, a Comp 2 class might center around one large multi-genre, multimodal project that spans the entire semester, broken into stages to help the students pace themselves. In that case, it might be helpful to give them some of the readings about navigating genres and multimodal projects early on.

Comp 2: Semester-Long Website Project

Below is a sample calendar in which the students spend the semester designing their own personal website on a topic of their choice—anything from a fan site about their favorite superhero to a business site for their side gig to an issue-based site drawing awareness to large-scale problems. The biggest requirement is that the website must include a minimum of three main pages and that each page must be a different genre (memoir, profile, interview, report, instructions, essay, proposal, open letter, etc.). Additional requirements might be that they also include a home page, an about page, and a certain number of blog posts.

Students are expected to continue revising everything on the website throughout the semester in order to deepen their writing process, and they are also expected to show mastery of all genre and multimodal concepts from the readings by the end of the semester. The calendar also builds in an opportunity to consult with their instructor one-on-one the week before the deadline to receive important feedback.

In this case, the order of the readings could vary since students will eventually need to apply everything to the same project, so the instructor could sequence them in whatever ways help students grasp the big ideas first and end with the most detailed aspects of the project.

Week 1 first day of class “How to Read Like a Writer”
Week 2 “Complexity of Simplicity” “Navigating Genres”
Week 3 “An Introduction to and Strategies for Multimodal Composing” “Make Your ‘Move'”
Week 4 “Weaving Personal Experience into Academic Writings” “Why Blog?”
Week 5 “Beyond Black on White” “How to Write Meaningful Peer Response Praise”
Week 6 first main webpage draft due + peer reviews
Week 7 “Reflective Writing and the Revision Process” “Murder! (Rhetorically Speaking)”
Week 8 “Introduction to Primary Research” “Annoying Ways People Use Sources”
Week 9 “I Passed First-Year Writing—What Now?” “Punctuation’s Rhetorical Effects”
Week 10 second main webpage draft due + peer reviews
Week 11 “Worth a Thousand Words” “Chatting Over Coffee”
Week 12 “Thinking Across Modes and Media (and Baking Cake)” “Strategies for Analyzing and Composing Data Stories”
Week 13 “The Rhetorical Possibilities of Accessibility” “Not So Fast”
Week 14 third main webpage draft due + peer reviews
Week 15 teacher-student project consultations
Week 16 final exam week: students present website project to the class

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